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Sam Hunt Erases Boundaries Between Country & Other Genres at NYC Show

Billboard.com - Thu, 02/12/2015 - 11:40am
Who is rocketing to the top of the pack in country music -- or any other genre -- faster than Sam Hunt? He rolled through town last fall as one of...
Categories: Music Industry

DISClaimer: All Under The Country Umbrella

MusicRow.com - Nashville Music Industry - Thu, 02/12/2015 - 11:38am

Oldie revivals, Euro-country, a teenager, redneck rocking and a Grammy TV success story — today’s
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Categories: Music Industry

You're (Probably) Doing It Wrong: New Fair Use Guide for Artists

Billboard.com - Thu, 02/12/2015 - 11:35am
If you're an artist of any stripe, you've probably had moments of uncertainty about using copyrighted materials in your work, and the instances in...
Categories: Music Industry

'Empire' Recap, Episode 6: 'Out, Damned Spot'

Billboard.com - Thu, 02/12/2015 - 11:20am
With the first season of Empire halfway through, episode six of the Fox show serves as a place-setter of what's to come. The big news? Lucious...
Categories: Music Industry

Madonna's Most Memorable Social Media Moments

Billboard.com - Thu, 02/12/2015 - 11:20am
It's only been two years since Madonna joined Instagram, but what a ride it's been. Despite Madge's late entry to the social media party, she's...
Categories: Music Industry

U.K. Albums Chart to Incorporate Music Streams for First Time

Billboard.com - Thu, 02/12/2015 - 11:17am
In line with the growing popularity of streaming services, audio streams are to be incorporated in the U.K. Albums Chart for the first time from the...
Categories: Music Industry

J Balvin, Farruko, Nicky Jam and More to Speak at Billboard Latin Music Conference

Billboard.com - Thu, 02/12/2015 - 11:00am
J Balvin, whose new single "Ay Vamos" completed 10 weeks at No. 2 on Billboard's Hot Latin Songs, will join Farruko, Nicky Jam, Justin Quiles and...
Categories: Music Industry

Meghan Trainor Talks Dating Life & Body Image in 'Seventeen'

Billboard.com - Thu, 02/12/2015 - 10:56am
After exploding into the popular consciousness in 2014, Meghan Trainor isn't going anywhere. Her debut full-length, Title, debuted at No. 1 on the...
Categories: Music Industry

Pop Shop Podcast: Cody Simpson Interview, Taylor Swift, Sam Smith & More

Billboard.com - Thu, 02/12/2015 - 10:55am
Welcome to the latest episode of the Billboard.com Pop Shop Podcast, Billboard's weekly half-hour audio breakdown of the Billboard charts, hottest...
Categories: Music Industry

Missy Elliott's Song Sales Surge by 282 Percent Week After Super Bowl

Billboard.com - Thu, 02/12/2015 - 10:55am
Missy Elliott's sales surge following her guest turn during Katy Perry's Feb. 1 Super Bowl halftime show continues, as she rushes both the Billboard...
Categories: Music Industry

Classic Rock Veterans The Dead Daisies Playing Havana, But They Won't Get Paid

Billboard.com - Thu, 02/12/2015 - 10:43am
The classic rock veterans who make up the band The Dead Daisies will slake their curiosity about Cuba when they fly to Havana at the end of February...
Categories: Music Industry

David Spade Talks Kanye West: It's 'Virtually Impossible' to Like Him

Billboard.com - Thu, 02/12/2015 - 10:25am
David Spade has a problem: He wants to like Kanye West, but "it's virtually impossible.""Beyonce, how much can she do before he thinks she's going to...
Categories: Music Industry

Drake Takes You Way Back to His Toronto Past in 'Jungle' Short Film

Billboard.com - Thu, 02/12/2015 - 10:24am
Well, it is Oscar season, and our man Drake has some cinematic aspirations. This week, with little warning, Drizzy dropped a new 14-minute film...
Categories: Music Industry

The Art of the Personal Project: Jeremiah Stanley

A Photo Editor's Blog - Thu, 02/12/2015 - 10:23am

As a former Art Producer, I have always been drawn to personal projects because they are the sole vision of the photographer and not an extension of an art director, photo editor, or graphic designer. This new column, “The Art of the Personal Project” will feature the personal projects of photographers using the Yodelist marketing database. You can read their blog at http://yodelist.wordpress.com. Projects are discovered online and submissions are not accepted.

Today’s featured photographer is: Jeremiah Stanley

JeremiahStanley_Bikers_0001

JeremiahStanley_Bikers_0002

JeremiahStanley_Bikers_0004

JeremiahStanley_Bikers_0006

JeremiahStanley_Bikers_0008

JeremiahStanley_Bikers_0009

JeremiahStanley_Bikers_0010

JeremiahStanley_Bikers_0013

JeremiahStanley_Bikers_0014

JeremiahStanley_Bikers_0015

JeremiahStanley_Bikers_0023

JeremiahStanley_Bikers_0025

JeremiahStanley_Bikers_0026

JeremiahStanley_Bikers_0027

Full disclosure, Jeremiah is a current client of mine.

How long have you been shooting?
I guess I’m kind of a late bloomer as they say. I didn’t buy my first digital camera until I was 28 (I’m 34 now) and recently accepted into the photojournalism program at the University of Florida.

It wasn’t until I got into Eddie Adams Workshop XXV in 2012 (team Lilac forever!) that I decided to give photography all I’ve got. There I had the opportunity to shake hands with and get portfolio reviews from amazing portrait photographers like Gregory Heisler (I think I actually ruined his breakfast) and Dan Winters. After meeting them and hearing them speak, I was changed forever as a person and photographer.

So, to answer your question, I’ve been shooting commercially for about 3 years.

Are you self-taught or photography school taught?
I graduated from the photojournalism program at the University of Florida and I absolutely loved my time there. It wasn’t so much the technical skills and training that I benefited from the most, but it was the people I had the chance to meet while in school.

For instance, Sports Illustrated photographer Bill Frakes was my Advanced-2 photography professor. I mean how crazy is that right?! Also, I met the great portrait photographer Andrew Hetherington while he was there on assignment for Fortune magazine, which was a major turning point for me. Both of these men continue to be great mentors to me to this day.

Having a photojournalism background has also been a huge advantage in my portrait work. Photojournalsim is all about catching that moment and telling a story and portraiture is a lot of the same. You’re looking for that special something, that one moment that will tell the story of that person or tell a story through that person. I think going through photojournalism school has been a huge advantage for what I do now, even though it wouldn’t be considered true photojournalism.

With this particular project, what was your inspiration to shoot it?
People. It’s always about people. I love people.

Everyone is so unique and everyone has a story to tell and most people, when given the chance, really want to tell their story. It’s something that just fascinates me. And as a portrait photographer, I get to explore different worlds and dive into people’s lives on a daily basis and I absolutely love that.

I’ve always had the ability to approach people from all different types of economic and social backgrounds and having that ability really helped out with this project. Being approachable and respectful really goes a long way. All of the bikers we photographed were very nice and courteous, but if you can’t relate, on some level at least, to the person you’re photographing, then your portraits will be nothing – they’ll be flat and lack substance.

How many years have you been shooting this project before you decided to present it?
I actually photographed this project in one day and I presented it on the web shortly after.

How long do you spend on a personal project before deciding if it is working?
Usually after the first few shoots and when I get them on a screen I can tell if there’s enough beef there to actually have something worth looking at. My wife, Meredith, is a really great editor and she provides me with a generous amount of honest insight into how the project is taking shape from an outside perspective. For this project, I knew after the first woman I photographed that this was going to be something good. I never know how good, but I had a feeling people would be interested in looking at these portraits.

Since shooting for your portfolio is different from personal work, how do you feel when the work is different?
This one is always an interesting question to me or maybe it’s just because I’m still early in my career.

For me, it’s all personal and it may be cliche to say, but for me there’s literally no distinction from shooting for my portfolio and shooting personal work. My approach is one and the same. Every time I’m working toward making an image, whether in pre-production, while shooting, or post-production, I’m using all of myself, both physically and mentally. I’m using all my past experiences, good and bad, to interpret the world around me which will affect the images I make. And for me that’s the goal. I want my personal experiences to affect the images and when they do, that’s when I know what I’m making is real and honest and truthful.

It’s when photography turns into an outlet and an extension of myself that I begin making real images, and I think that’s why editors and directors hire me or at least that’s why I hope they do and hope they do in the future. It’s the photographer’s own, personal voice that speaks the loudest and when I’m allowed to explore the world from my vantage point, really great things can happen. The only difference here is that sometimes a company or firm fronts the bill and sometimes I do. But whenever I’m shooting or working toward a shoot, it’s all personal.

Have you ever posted your personal work on social media venues such as Reddit, Tumblr, Instagram or Facebook?
Yes, certainly. Getting your work out there for people to see is half the battle.

Here’s my shameless plug:

www.Facebook.com/JeremiahStanleyPhoto
www.Twitter.com/JeremiahStanley
www.Instagram.com/miahstanphoto

If so, has the work ever gone viral and possibly with great press?
Not yet. Still waiting for my 15 minutes of fame.

Have you printed your personal projects for your marketing to reach potential clients?
I sure have and will be doing the same with this one. I actually love walking into meetings with this project in my book and I enjoy trying to guess before each meeting what type of reaction they’re going to have. Even if an editor or art director are quick flippers, they’ll almost always stop when they get to the ‘Bikers’ project.

Once I was in a meeting with about 8 creative directors and after a few minutes they were all huddled together, standing over the portfolio, pointing, laughing and asking questions. And that’s exactly what you want to happen during a meeting.

ARTIST STATEMENT ABOUT THE PROJECT:

This project was photographed at a biker event in a small Florida town called Leesburg. Every year, about 300,000 people come together here to talk about and look at bikes. I, of course, came to look at the people.

It’s always hard to guess what type of people will come to any particular event as often times the images in my head of the people I think will attend don’t always match the people that actually show up to that event. In this case though, they absolutely exceeded what I had hoped for.

I hired an assistant to hold one light near the rear on a monopod and I held another light off to the front side, also on a monopod, and shot with the other hand (you can actually see the exact set-up in some of the reflections in their sunglasses). We were basically a walking, mobile studio literally carrying all of the gear on our backs and shooting simultaneously on-the-fly.

I decided to leave the background messy, and not worry too much about composition, because I’ve seen tons of similar projects where the photographer pulls them onto some type of seamless backdrop and I wanted this one to be different. I really wanted to bring the viewer into the event, as if they were actually standing right there themselves looking at that particular person, using the environment of the event itself to help.

To make the portrait series have a cohesive look and feel, I used the same focal-length lens (with an ND filter to bring down the background exposure), lighting, and angle, while only changing the physical locations. We were there shooting for about 10 hours and met some incredible people.

—————

Jeremiah Stanley is a commercial and editorial portrait photographer based in Florida and Dallas (It’s currently 81 degrees outside). He enjoys hiking with his 9-year-old daughter and the Texas Two-Step. His portraiture recently won an American Photography 30 award and a PDN World in Focus award. He was also selected to be a part of Eddie Adams Workshop XXV. If he wasn’t a photographer, he would be a competitive barbeque smoker. Please contact him directly to see what his photography can do for you.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s, after founding the art buying department at The Martin Agency then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies. She has a new Twitter fed with helpful marketing information.  Follow her@SuzanneSease.

Categories: Business

The Art of the Personal Project: Jeremiah Stanley

A Photo Editor's Blog - Thu, 02/12/2015 - 10:23am

As a former Art Producer, I have always been drawn to personal projects because they are the sole vision of the photographer and not an extension of an art director, photo editor, or graphic designer. This new column, “The Art of the Personal Project” will feature the personal projects of photographers using the Yodelist marketing database. You can read their blog at http://yodelist.wordpress.com. Projects are discovered online and submissions are not accepted.

Today’s featured photographer is: Jeremiah Stanley

JeremiahStanley_Bikers_0001

JeremiahStanley_Bikers_0002

JeremiahStanley_Bikers_0004

JeremiahStanley_Bikers_0006

JeremiahStanley_Bikers_0008

JeremiahStanley_Bikers_0009

JeremiahStanley_Bikers_0010

JeremiahStanley_Bikers_0013

JeremiahStanley_Bikers_0014

JeremiahStanley_Bikers_0015

JeremiahStanley_Bikers_0023

JeremiahStanley_Bikers_0025

JeremiahStanley_Bikers_0026

JeremiahStanley_Bikers_0027

Full disclosure, Jeremiah is a current client of mine.

How long have you been shooting?
I guess I’m kind of a late bloomer as they say. I didn’t buy my first digital camera until I was 28 (I’m 34 now) and recently accepted into the photojournalism program at the University of Florida.

It wasn’t until I got into Eddie Adams Workshop XXV in 2012 (team Lilac forever!) that I decided to give photography all I’ve got. There I had the opportunity to shake hands with and get portfolio reviews from amazing portrait photographers like Gregory Heisler (I think I actually ruined his breakfast) and Dan Winters. After meeting them and hearing them speak, I was changed forever as a person and photographer.

So, to answer your question, I’ve been shooting commercially for about 3 years.

Are you self-taught or photography school taught?
I graduated from the photojournalism program at the University of Florida and I absolutely loved my time there. It wasn’t so much the technical skills and training that I benefited from the most, but it was the people I had the chance to meet while in school.

For instance, Sports Illustrated photographer Bill Frakes was my Advanced-2 photography professor. I mean how crazy is that right?! Also, I met the great portrait photographer Andrew Hetherington while he was there on assignment for Fortune magazine, which was a major turning point for me. Both of these men continue to be great mentors to me to this day.

Having a photojournalism background has also been a huge advantage in my portrait work. Photojournalsim is all about catching that moment and telling a story and portraiture is a lot of the same. You’re looking for that special something, that one moment that will tell the story of that person or tell a story through that person. I think going through photojournalism school has been a huge advantage for what I do now, even though it wouldn’t be considered true photojournalism.

With this particular project, what was your inspiration to shoot it?
People. It’s always about people. I love people.

Everyone is so unique and everyone has a story to tell and most people, when given the chance, really want to tell their story. It’s something that just fascinates me. And as a portrait photographer, I get to explore different worlds and dive into people’s lives on a daily basis and I absolutely love that.

I’ve always had the ability to approach people from all different types of economic and social backgrounds and having that ability really helped out with this project. Being approachable and respectful really goes a long way. All of the bikers we photographed were very nice and courteous, but if you can’t relate, on some level at least, to the person you’re photographing, then your portraits will be nothing – they’ll be flat and lack substance.

How many years have you been shooting this project before you decided to present it?
I actually photographed this project in one day and I presented it on the web shortly after.

How long do you spend on a personal project before deciding if it is working?
Usually after the first few shoots and when I get them on a screen I can tell if there’s enough beef there to actually have something worth looking at. My wife, Meredith, is a really great editor and she provides me with a generous amount of honest insight into how the project is taking shape from an outside perspective. For this project, I knew after the first woman I photographed that this was going to be something good. I never know how good, but I had a feeling people would be interested in looking at these portraits.

Since shooting for your portfolio is different from personal work, how do you feel when the work is different?
This one is always an interesting question to me or maybe it’s just because I’m still early in my career.

For me, it’s all personal and it may be cliche to say, but for me there’s literally no distinction from shooting for my portfolio and shooting personal work. My approach is one and the same. Every time I’m working toward making an image, whether in pre-production, while shooting, or post-production, I’m using all of myself, both physically and mentally. I’m using all my past experiences, good and bad, to interpret the world around me which will affect the images I make. And for me that’s the goal. I want my personal experiences to affect the images and when they do, that’s when I know what I’m making is real and honest and truthful.

It’s when photography turns into an outlet and an extension of myself that I begin making real images, and I think that’s why editors and directors hire me or at least that’s why I hope they do and hope they do in the future. It’s the photographer’s own, personal voice that speaks the loudest and when I’m allowed to explore the world from my vantage point, really great things can happen. The only difference here is that sometimes a company or firm fronts the bill and sometimes I do. But whenever I’m shooting or working toward a shoot, it’s all personal.

Have you ever posted your personal work on social media venues such as Reddit, Tumblr, Instagram or Facebook?
Yes, certainly. Getting your work out there for people to see is half the battle.

Here’s my shameless plug:

www.Facebook.com/JeremiahStanleyPhoto
www.Twitter.com/JeremiahStanley
www.Instagram.com/miahstanphoto

If so, has the work ever gone viral and possibly with great press?
Not yet. Still waiting for my 15 minutes of fame.

Have you printed your personal projects for your marketing to reach potential clients?
I sure have and will be doing the same with this one. I actually love walking into meetings with this project in my book and I enjoy trying to guess before each meeting what type of reaction they’re going to have. Even if an editor or art director are quick flippers, they’ll almost always stop when they get to the ‘Bikers’ project.

Once I was in a meeting with about 8 creative directors and after a few minutes they were all huddled together, standing over the portfolio, pointing, laughing and asking questions. And that’s exactly what you want to happen during a meeting.

ARTIST STATEMENT ABOUT THE PROJECT:

This project was photographed at a biker event in a small Florida town called Leesburg. Every year, about 300,000 people come together here to talk about and look at bikes. I, of course, came to look at the people.

It’s always hard to guess what type of people will come to any particular event as often times the images in my head of the people I think will attend don’t always match the people that actually show up to that event. In this case though, they absolutely exceeded what I had hoped for.

I hired an assistant to hold one light near the rear on a monopod and I held another light off to the front side, also on a monopod, and shot with the other hand (you can actually see the exact set-up in some of the reflections in their sunglasses). We were basically a walking, mobile studio literally carrying all of the gear on our backs and shooting simultaneously on-the-fly.

I decided to leave the background messy, and not worry too much about composition, because I’ve seen tons of similar projects where the photographer pulls them onto some type of seamless backdrop and I wanted this one to be different. I really wanted to bring the viewer into the event, as if they were actually standing right there themselves looking at that particular person, using the environment of the event itself to help.

To make the portrait series have a cohesive look and feel, I used the same focal-length lens (with an ND filter to bring down the background exposure), lighting, and angle, while only changing the physical locations. We were there shooting for about 10 hours and met some incredible people.

—————

Jeremiah Stanley is a commercial and editorial portrait photographer based in Florida and Dallas (It’s currently 81 degrees outside). He enjoys hiking with his 9-year-old daughter and the Texas Two-Step. His portraiture recently won an American Photography 30 award and a PDN World in Focus award. He was also selected to be a part of Eddie Adams Workshop XXV. If he wasn’t a photographer, he would be a competitive barbeque smoker. Please contact him directly to see what his photography can do for you.

APE contributor Suzanne Sease currently works as a consultant for photographers and illustrators around the world. She has been involved in the photography and illustration industry since the mid 80s, after founding the art buying department at The Martin Agency then working for Kaplan-Thaler, Capital One, Best Buy and numerous smaller agencies and companies. She has a new Twitter fed with helpful marketing information.  Follow her@SuzanneSease.

Categories: Business

As Miranda Lambert Sung 'Little Red Wagon' at the Grammys, Its Co-Writer Bartended Her Label's Afterparty

Billboard.com - Thu, 02/12/2015 - 10:21am
One of the beautiful things about the music industry is that as stratified as the upper echelons may seem, there are myriad ways for new talent to...
Categories: Music Industry

Nick Jonas Set to Host Nickelodeon's Kids' Choice Awards

Billboard.com - Thu, 02/12/2015 - 10:03am
Nick Jonas is about to get slimed. The singer-actor announced he would be hosting the Nickelodeon Kids' Choice Awards this year, which means he's...
Categories: Music Industry

Ariana Grande Teases Apocalyptic 'One Last Time' Video

Billboard.com - Thu, 02/12/2015 - 9:50am
Ariana Grande is going from outer space to the apocalypse. The singer teased her "One Last Time" video on Wednesday night, and from the 15-second...
Categories: Music Industry

Must-Hear Music Podcast: The Mowgli's Perform 'I'm Good,' Plus New Kendrick & Madonna

Billboard.com - Thu, 02/12/2015 - 9:39am
On this week's Must-Hear Music podcast we were lucky to have sunny California alt-rockers The Mowgli's stop by Billboard's studio for an exclusive...
Categories: Music Industry

CP+ 2015: Hands-on with new Pentax K-S2

DPReview.com - Latest News - Thu, 02/12/2015 - 9:12am

The Pentax K-S2 doesn't replace the K-S1, but sits above it in Ricoh's Pentax lineup. And quite right too - it's a considerably more serious camera, even if we do miss the shiny disco lights on the handgrip. We're at the CP+ show in Yokohama Japan, where Ricoh is showing off its new 20MP APS-C DLSR, in all manner of color combinations. Click through for some hands-on images

Categories: Equipment

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