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Sia, Kelly Clarkson, Josh Groban & Jane Lynch Land First Songs of the Holiday Season on AC Chart

Billboard.com - Tue, 11/21/2017 - 10:17am
AC radio unwraps its first holiday hits of the season, as four festive songs jingle onto Billboard's Adult Contemporary airplay chart (dated Dec...
Categories: Music Industry

Former Female 'SNL' Cast Members Sign Letter in Support of Al Franken

Billboard.com - Tue, 11/21/2017 - 10:08am
A group of women who worked alongside Al Franken on NBC’s Saturday Night Live have signed a statement of support for the Minnesota senator...
Categories: Music Industry

The Daily Edit – Trevor Traynor

A Photo Editor's Blog - Tue, 11/21/2017 - 10:00am

 Trevor Traynor

Heidi: What made you snap that first newsstand shot?
Trevor: I shot my first newsstand near Broadway and Morris Street in New York City and immediately found myself stopping to take portraits at every stand I passed. I’m drawn to the vibrant organized colors and compact product placement that provides an instant time stamp via magazine covers and headlines. The New York City newsstand is a staple in the Big Apple and its photogenic structure is an immediate attraction to the composition fanatic in me.

When did you know this was turning into something more than just a few images of newsstands?
The project started growing quickly within NYC but it was still just something fun and in between commercial shoots. Once I started photographing other cities I realized the photos were forming a series and would be a long-term project

What are the kiosks locations?
They are from New York City, Los Angeles, Paris, London, Geneva, Tel Aviv, Dar Es Salaam, Chicago, Boston, Barcelona, Tokyo, Lima, Cusco, and Punta Arenas

How are you making these photos?
The project is shot and edited on the iPhone.  I started #TheNewsStandSeries in New York City, 2012. Since then I have photographed approx 125 stands. The series started with the iPhone 4s, the 5s, 6, 6s, to my current 7 plus. I’m using editing apps such as Snapseed & Instagram, the end-product emulates the qualities of my favored Hasselblad. I revisited a handful of newsstands with different cameras, and although each camera has its own advantage, the iPhone is my current first choice. The iPhone has a great dynamic range and its unobtrusive ability lets me shoot with a lot more ease.

How long does each portrait take?
 Each photo takes literally 30 seconds. Unless its rush hour. I make it a point to never interrupt the business. If a kiosk is busy and I have time, I’ll wait for the opportune moment.

What are your plans for this body of work?
My goal is to release a newsstand book in 2018 accompanied with coastal openings. I’m currently searching for a publisher/sponsor.  After the book is published I will use the iPhones geotagging of the photos to deliver a thank you copy to each of the newsstands I have photographed.I would also like to donate a percentage of proceeds as well.

What is your elevator pitch to get them to pose?
My approach is 100% respect and a smile. I immediately share some past photos to connect a visual with my idea. A put an emphasis on “a quick iPhone snap for a personal collection.”

I have been fortunate to have a 90% positive response and a few kiosk owners even went as far to offer me drinks and snacks. I aways depart with a hand shake and a grand appreciation for that person’s time.

Aside from this image being featured in American Photography 31, have you received any other press, any projects on the horizon?
The project has definitely received some good press over the years from RYOT, Complex, to Daily Mail, and PDN. and now APE! Thank you guys.  A lot of my colleagues really enjoy the series as well and that definitely makes me happy because it’s nice to get a nod from photographers who inspire you. My next project is to bring this series to life in print. I also have some fun ideas for the opening including a full size newsstand installation.

What has this project taught you about yourself and your work?
As the clock ticks I reflect more and more on the privilege I have to travel the world and make a living creating photographs, making motion visuals, and living while doing something I’m passionate about it. I try to practice gratitude every day and this project has taught me to be present more. It has also taught me that the interaction is just as important as the moment the camera clicks.  The creation process is what I truly love. Lastly, this project has reaffirmed my affinity for framing a subject as one with the environment.

 

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Categories: Business

Eurythmics Will Be Spinning on Turntables Again With Career-Spanning Vinyl Re-Release in 2018

Billboard.com - Tue, 11/21/2017 - 10:00am
The British duo Eurythmics were a force on the Billboard charts throughout the ’80s, as their quirky electro-pop resonated with music fans. Now...
Categories: Music Industry

Will Tech Startups Finally Make Record Labels Obsolete? Not So Fast

Billboard.com - Tue, 11/21/2017 - 9:26am
Stop me if you’ve heard this one before: Record labels are irrelevant because they’ve been disrupted by a venture-funded technology start...
Categories: Music Industry

Sam Sparro Prefers His Christmas 'Blue' With New EP, Teases Forthcoming Full-Length Album

Billboard.com - Tue, 11/21/2017 - 9:23am
Sam Sparro isn't shy to admit that he's not head over heels for the traditional, cheery Christmas spirit. The singer recently talked...
Categories: Music Industry

Hundreds of Las Vegas Shooting Victims File Lawsuits Against Live Nation, MGM Resorts

Billboard.com - Tue, 11/21/2017 - 9:20am
Attorneys who filed one of the first lawsuits after the Oct. 1 mass shooting that killed 58 concert-goers and left hundreds injured on the Las Vegas...
Categories: Music Industry

Nelly's Saudi Arabia Gig Sparks Social Media Stir

Billboard.com - Tue, 11/21/2017 - 9:12am
Nelly is to perform in Saudi Arabia next month, but his planned concert in the ultraconservative kingdom is not being welcomed by everyone. Some...
Categories: Music Industry

Leica CL brings built-in viewfinder, conventional control layout to L lineup

DPReview.com - Latest News - Tue, 11/21/2017 - 9:00am
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Leica has just released the CL, the forth in its series of APS-C L-mount cameras. While it shares a name with a camera released in the mid-70s, the new CL is a thoroughly modern ILC, with a 24MP sensor, 10 fps continuous shooting and 4K/30p video capture.

Compared to the TL2, the CL offer more conventional handling, including twin exposure dials, physical buttons for menu and playback, and a 4-way controller. It also features a high-resolution 2.36 million-dot EVF built in. Despite the more traditional ergonomics, the CL's rear LCD is touch-sensitive, and supports swipe gestures for image navigation and mode switching.

The CL is being launched alongside a new Elmarit-TL 18mm F2.8. At just 20.5mm/0.8in in length, Leica calls the "smallest wide-angle APS-C pancake lens currently available in the market."

Pricing for the CL and the new 18mm follows below:

  • Body only, black anodized finish : $2,795.00
  • Leica CL Prime Kit with 18 mm : $3,795.00
  • Leica CL Vario Kit with 18-56 mm : $3,995.00
  • Elmarit-TL 18 F2.8 ASPH, black / silver anodized : $1,295.00

Press release

Leica Camera Unveils Expansion of its APS-C System with the New Leica CL and Smallest Wide-Angle APS-C Lens

The new mirrorless camera and lens unite innovation, ease of use and compact design for exceptional visual storytelling

November 21, 2017- Leica Camera unveils the latest addition to its APS-C system with the Leica CL, a new camera that boasts an exceptional balance of state-of-the-art technology, mechanical precision and intuitive, classic design to make it the ideal everyday companion, a perfect fit for all types of photography. With stunning image quality – even in low-light scenarios – new electronic viewfinder technology and superb video capabilities, the Leica CL is the ultimate tool to capture everyday moments, all customizable to the photographer’s style. Available on its own or in two new camera-and-lens kit options, the Leica CL makes it simple to incorporate the art of photography into one’s daily life.

Alongside the Leica CL, the iconic photography brand is further diversifying the APS-C system’s portfolio of lenses by introducing the Elmarit-TL 18 mm f/2.8 ASPH., the smallest-in-class wide-angle lens with supreme imaging performance.

Evolution of the Leica APS-C system portfolio
With the launch of the Leica CL, the Leica APS-C System now encompasses two remarkable camera models, the Leica CL and the Leica TL2. In technical terms, the two cameras are equals, but retain stark differences in regards to their design and handling. The Leica CL reflects the traditions of Leica with its iconic industrial design, classic physical button controls and dials, while the Leica TL2 embodies a futuristic look, featuring a touchscreen and full-body aluminium. Coupled with the extensive portfolio of lenses, the Leica CL and Leica TL2 make for a formidable system portfolio offering an array of specialized and distinct photographic experiences.

Introducing the Leica CL
The Leica CL is rooted in Leica’s legacy, calling upon the brand’s heritage look with modern technical features. The instinctual and convenient design of the camera features a user-friendly handling concept, providing for an exceptionally intuitive tool whose compact size and light weight allow for maximum mobility. All essential controls are located on its top plate with just two dials for setting the aperture, shutter speed, ISO value, exposure compensation and shooting mode, for quick and intuitive handling. Keeping convenience at the forefront, all relevant shooting information is viewable on the small LCD screen atop the camera, instantly providing settings and exposure parameters at a glance.

Another outstanding feature of the Leica CL is its built-in electronic viewfinder. With EyeRes® technology developed by Leica specifically for this camera, the viewfinder enables a top-tier viewing experience. Most notable among a number of advantages of the built-in EVF, is the ability to preview the brightness and color of the final image before the shutter release is fully depressed, allowing photographers to always be in control over the composition and exposure.

Alongside an impeccable view of your subjects, the Leica CL offers best-in-class image quality. In combination with the high-resolution, 24 MP, APS-C format sensor of the Leica CL, a Maestro II series processor and fast autofocus system with 49 AF points guarantee brilliant photographs in all situations, including low-light scenes. In addition to being an impressive still-picture camera, the Leica CL also captures striking video at a resolution of up to 4K at 30 frames per second.

Keeping connectivity as a top priority, the Leica CL is equipped with an integrated Wi-Fi module allowing photographers to quickly and easily share their stunning photos and videos by email or on social networks with the Leica CL App for iOS or Android. The remote function of the app also provides the capability for mobile devices to be used as an off-camera remote viewfinder, allowing control of exposure parameters, including when shooting with the self-timer function or from unusual angles.

Thanks to the L-Bayonet mount shared by the Leica TL- and SL-Systems, SL-Lenses can also be used without an adapter on the CL and the TL2. Appropriate adapters are also available for using Leica M- and R-Lenses on the cameras, offering unparalleled creative flexibility and making the Leica CL one of the most versatile cameras in the Leica portfolio.

New Leica Elmarit-TL 18 mm f/2.8 ASPH.
To complement the Leica APS-C system, Leica is expanding the impressive TL lens portfolio with a ground-breaking new lens. Compact and lightweight, the new Elmarit-TL 18 mm f/2.8 ASPH. holds the title as the smallest wide-angle APS-C pancake lens currently available in the market. When mounted to the Leica CL, the camera and prime lens are small enough to fit into a coat pocket or small handbag – providing incredible images everywhere you go. Despite being just 20.5mm (less than one inch) in total length, the lens sacrifices nothing, providing the unrivalled imaging performance all Leica lenses are known for. Travel photography is easy with this light and dynamic lens, especially when paired with the Leica CL.

As a whole, the Leica APS-C System portfolio of lenses offer exceptionally high picture quality and infinite opportunities for creative photography. In addition to the Elmarit-TL 18 mm f/2.8 ASPH., the selection of lenses currently includes three zoom lenses (Super-Vario-Elmar-TL 11-23 mm f/3.5-4.5 ASPH., Vario-Elmar-TL 18-56 mm f/3.5-5.6 ASPH. and the APO-Vario-Elmar-TL 55-135 mm f/3.5-4.5 ASPH.) as well as three prime lenses (Summicron-TL 23 mm f/2 ASPH., Summilux-TL 35 mm f/1.4 ASPH. and the APO-Macro-Elmarit-TL 60 mm f/2.8 ASPH.).

All bundled up
To make the stunning new Leica CL more easily accessible to both new and current Leica fans looking to make their first step into the APS-C system, the Leica CL will be offered in two bundle options alongside an accompanying lens. The “Prime Kit” will include the new Elmarit-TL 18 mm f/2.8 ASPH lens, while the “Vario Kit” option includes the Vario-Elmar-TL 18-56 mm f/3.5-5.6 lens, allowing photographers to get into this new camera and growing system with a lens that best suits their photography style in an easy-to-grab kit.

Availability
The Leica CL and Leica Elmarit-TL 18 mm f/2.8 ASPH will both be available from Leica stores, boutiques and dealers at the end of November. The Leica CL body, in black anodized finish, will be $2,795.00 while the Prime and Vario Kits will be $3,795.00 and $3,995.00 respectively. The new Leica Elmarit-TL 18 mm f/2.8 ASPH, in black or silver anodized finish, will be $1,295.00.

Leica CL specifications

Price
MSRP$2795 (body only), $3795 (w/18mm lens), $3995 (w/18-56mm lens)
Body type
Body typeRangefinder-style mirrorless
Body materialMagnesium alloy
Sensor
Max resolution6014 x 4014
Image ratio w:h3:2
Effective pixels24 megapixels
Sensor photo detectors25 megapixels
Sensor sizeAPS-C (23.6 x 15.7 mm)
Sensor typeCMOS
ProcessorMaestro II
Color spacesRGB
Color filter arrayPrimary color filter
Image
ISOAuto, 100-50000
White balance presets5
Custom white balanceYes (2 slots)
Image stabilizationNo
Uncompressed formatRAW
File format
  • JPEG
  • Raw (DNG)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lampYes
Number of focus points49
Lens mountLeica L
Focal length multiplier1.5×
Screen / viewfinder
Articulated LCDFixed
Screen size3″
Screen dots1,040,000
Touch screenYes
Screen typeTFT LCD
Live viewYes
Viewfinder typeElectronic
Viewfinder coverage100%
Viewfinder magnification0.74× (0.49× 35mm equiv.)
Viewfinder resolution2,360,000
Photography features
Minimum shutter speed30 sec
Maximum shutter speed1/8000 sec
Maximum shutter speed (electronic)1/25000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Scene modes
  • sport
  • portrait
  • landscape
  • night portrait
  • snow/beach
  • fireworks
  • candlelight
  • sunset
  • digiscoping
  • miniature
  • panorama
  • HDR
Built-in flashNo
External flashYes (via hot shoe)
Flash X sync speed1/180 sec
Drive modes
  • Single
  • Continuous low/med/high
  • Interval
  • Exposure bracketing
Continuous drive10.0 fps
Self-timerYes (2 or 12 secs)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation±3 (at 1/3 EV steps)
AE Bracketing±3 (3 frames at 1/3 EV steps)
Videography features
FormatMPEG-4, H.264
Modes
  • 3840 x 2160 @ 30p, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 60p, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 30p, MP4, H.264, Linear PCM
  • 1280 x 720 @ 30p, MP4, H.264, Linear PCM
MicrophoneStereo
SpeakerMono
Storage
Storage typesSD/SDHC/SDXC card (UHS-II supported)
Connectivity
HDMINo
Microphone portNo
Headphone portNo
WirelessBuilt-In
Wireless notes802.11b/g/n
Remote controlYes (via smartphone)
Physical
Environmentally sealedNo
BatteryBattery Pack
Battery descriptionBP-DC12 lithium ion battery & charger
Battery Life (CIPA)220
Weight (inc. batteries)403 g (0.89 lb / 14.22 oz)
Dimensions131 x 78 x 45 mm (5.16 x 3.07 x 1.77″)
Other features
Orientation sensorYes
Timelapse recordingYes
GPSNone
Categories: Equipment

Leica CL: first sample images

DPReview.com - Latest News - Tue, 11/21/2017 - 9:00am
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The Leica CL is a 24MP rangefinder-style mirrorless camera, which sits alongside the TL2 in the company's APS-C lineup. We've been using one for a few days, with the brand new Elmarit-TL 18mm F2.8 pancake prime. Check out our gallery of images.

See our Leica CL sample gallery

Categories: Equipment

The Leica CL is (almost) what the TL should have been

DPReview.com - Latest News - Tue, 11/21/2017 - 9:00am

Hands-on with Leica CL

'What has been is what will be, and what has been done is what will be done, and there is nothing new under the sun.'

If you know your Bible (which I must admit I don't – I had to look this phrase up to get the exact wording) you'll know that this oft-quoted proverb comes from Ecclesiastes 1:9. In a year that saw the commercial release of new versions of the Summaron 28mm F5.6 and Thambar 90mm F2.2, it may appear that that Leica's product planners have been a bit stuck on this passage of late.

With the release of the CL, a casual observer with a decently long memory might assume that the company's retro obsession has struck again, but not so fast...

Hands-on with Leica CL

While it shares a name with one of Leica's most popular and affordable cameras of the 1970s, the new CL is separated from its namesake by more than just years. It's digital for starters, and shares a lot of its core specification with the 24MP TL2, while offering a more conventional handling experience and a built-in viewfinder, in a body similar in size to the X2 (or depending on your era and preferred frames of reference, the IIIG).

We've been using Leica's newest mirrorless interchangeable lens camera for a little while now – click through for our first impressions and a deeper look at the CL's feature set.

Control Interface

The T/L and TL2 are beautiful cameras, but their touchscreen-focused user interfaces take some getting used to, and to be completely honest I never got used to them. The CL offers a more conventional handling experience which after extended use, I'd describe as being a hybrid of the TL2 and the Leica M10.

The twin control dials on the top of the camera serve as the main controls for exposure adjustment, and each has a switch at its center, which enables the dial function to be modified. Whether or not you get on with these dials is probably down to personal preference, but I really wish that one of them was on the front of the camera, for operation with my index finger (rather than my thumb).

Top LCD screen

Nestled between the twin control dials is the tiniest LCD I've seen since the Ricoh GR1. At 128 x 58px it serves as a basic status display for current exposure settings, and it automatically illuminates in low light (very handy).

Electronic viewfinder

Another very welcome addition to the CL compared to the T-series is a built-in viewfinder. Adding an accessory finder to the TL/2 is entirely possible, and makes the cameras more versatile, but it also makes them a lot bulkier. Plus the black Visoflex finder isn't a good aesthetic match for the brushed aluminum cameras, and Leica owners care about that sort of thing.

Electronic viewfinder

The CL's viewfinder isn't completely flush with the top of the camera, but the slight bump (rather reminiscent of the Olympus PEN-F) doesn't add much bulk, and the high resolution (2.36MP) and good magnification (0.74X equiv.) provide a crisp, clear view. Eye-relief is a sunglasses-friendly 20mm and a poppable-lockable +/-4 diopter is on hand for wearers of prescription eyeglasses.

Rear touch screen

The CL's 3", 1.04 million-dot rear LCD is fixed, and touch-sensitive. Unlike the TL2 however, the CL's conventional button and dial interface means that the touchscreen is by and large an optional, rather than integral part of the handling experience.

I say 'by and large' because I have had cause to curse the CL's touchscreen on several occasions since I've been using the camera. In touch AF mode, the CL works as you'd expect it to. You hold the camera out in front of you and touch the screen, and the AF point is positioned at the spot you just touched. But if you then raise the camera to your eye, especially if you're shooting vertically, it is more or less guaranteed that your nose will reposition the AF point to the very top of the image. This is the kind of operational quirk that I associate with earlier, more primitive touch implementations, and it is hugely annoying.

While it is easy to steer clear of touch-AF and touch-shutter modes through the AF mode menu settings, there is unfortunately no way to disable swipe gestures and image review scrolling and zooming touch features. More than a few times I have found myself accidentally 'swiping' (read: lightly brushing) the screen from the right which switches the CL into movie mode.

Swipe gestures

The trouble is that once you're in movie standby mode: a) you might not actually realize at first, which is confusing and b), assuming you got there accidentally, it is far from obvious how to get back to normal stills mode. The first couple of times I encountered this issue (bear in mind that I didn't have access to a user manual) I actually gave up and did a hard reset to factory settings just to get back to the business of taking pictures.

When I raised the issue with our contact at Leica, he informed me that a long touch followed by a swipe on the left of the screen switches back to stills mode. He also reminded me that the button in the center of the leftmost control dial can be used to switch between exposure modes (including movie).

This is all well and good, but I really wish it was possible to disable the swipe gestures altogether.

24MP sensor

The CL's sensor is a 24MP APS-C Bayer-type, without an AA filter. Leica claims 14 stops of dynamic range, which seems about right given the ~40MB Raw files (bearing in mind that we're not allowed to lab test this early production sample). JPEG image quality is exactly what I'd expect after using the TL2, and compares well to competitive 24MP APS-C cameras.

Alongside Ricoh (and Samsung, RIP) Leica is one of the few companies to offer Raw shooting in the .DNG format, which is always good to see – and makes shooting pre-production sample galleries for DPReview much easier. Perhaps as an indication of its enthusiast/semi-pro pretensions, when you reset the CL to factory settings (which as previously noted I have done, more than once) it defaults to RAW + JPEG capture.

Disappointingly, but not surprisingly at this point, the CL offers neither in-camera stabilization nor automatic sensor cleaning. Since like many mirrorless cameras the CL's sensor is fully exposed when the lens is removed from the camera, dust can (and in my experience does) get into your pictures unless you're very careful.

Mechanical + E-shutter

The CL's shutter is a hybrid mechanical/electronic type. It is fully mechanical to 1/8000sec, and fully electronic up to an equivalent shutter duration of 1/25,000sec. A full-time 'silent' E-shutter mode is also available, but interestingly, electronic first-curtain shutter is not an option. I haven't seen any evidence of noticeable shutter-shock during my shooting so far, but we'll be sure to test this in the lab once we receive a reviewable camera.

The CL's maximum shooting rate is a respectable 10fps, with focus locked. Leica claims that this performance is thanks to the new shutter, in combination with the CL's Maestro II image processor – the same generation processor (though not necessarily the same chip) that we've seen used in the TL2 and M10.

4K / 30p, 1080/60p

The CL is the second camera in the L-mount lineup (after the TL2) to offer 4K video capture, at 30p. Overall, despite the headline 4K mode the CL's video feature set is pretty unremarkable. 4K/24p capture is not possible, and with no microphone socket, videographers are limited to in-camera microphones for audio recording. The microphones are visible in this image, just forward of the CL's hotshoe.

Battery

The CL uses the same Panasonic-manufactured BP-DC12 battery as the Q, and offers an unremarkable CIPA rating of between 220-240 shots per charge. In normal use I've found that (unsurprisingly) this rating is conservative, but for people who regularly shoot a lot of video, I'd definitely recommending bringing a spare – especially if you're planning on being away from a charger for a while.

Part of the reason I say this is that the CL does not feature a USB socket and as such, there's no option for USB charging, which is a shame.

New 18mm pancake lens

The L-series lens lineup is still relatively small, but it grows slightly with the addition of the Elmarit 18mm F2.8 pancake prime – the lens that was mostly attached to the front of the CL during my time with the camera.

New 18mm pancake lens

The Japanese-manufacturered Elmarit is tiny at only 20.5mm (0.8in) in length and lightweight at only 80g (2.8oz), but makes up for its skinny dimensions with a big fat price-tag. The 18mm F2.8 will be available in black or silver, either on its own for $1295 or in a kit with the CL.

M-Adapter L

The Leica CL is also fully compatible with the M-Adapter L, which enables virtually any M-mount (and most L-mount, via an additional adapter) lenses to be used with a 1.5X crop. Modern M-mount lenses with 6-bit coding can be 'read' by the CL, allowing for in-camera profile corrections to be applied.

This is my battered old 5cm F1.5 Summarit, which becomes a battered old 7.5cm equiv., when mounted on the CL.

Final thoughts (for now)

On balance, the Leica CL is a nicely-designed camera that is pleasant to use. It's not perfect, but compared to the T/L and TL2 that came before it, it's more practical for everyday photography and easier to get to grips with. The built-in viewfinder is excellent, and I appreciate the more or less conventional button-and-dial interface, and the straightforward, M10-inspired menu. Less convincing is the touchscreen implementation. While the ability to set focus by touch in some AF modes, and scroll through / zoom into images in playback is really handy, the frequent problem of the AF point being repositioned by my nose, and the 'always on' swipe functionality did frustrate me.

Image quality from the CL's 24MP sensor seems excellent, although I'm not wholly convinced by the 18mm lens. During my time with the CL I've used it almost exclusively with the new 18mm F2.8 pancake, and I can't deny that it's a pretty powerful combination – as well as being truly pocketable. Unfortunately, off-center sharpness isn't as good as I would hope from a $1200+ prime, and the ~F4 aperture (in 35mm terms) limits its usefulness for low light photography, or anything where you might want a modicum of foreground/background separation.

That said, there are other, very good quality lenses in Leica's T-mount lineup, and the CL will play very well with all of them, albeit at the expense of some pocketability.

What do you think of the new Leica CL? Let us know in the comments.

Categories: Equipment

Eagles Announce 2018 North American Tour Featuring Jimmy Buffett, Chris Stapleton & More

Billboard.com - Tue, 11/21/2017 - 8:48am
In 2014, the Eagles embarked on their History of the Eagles Tour and broke U.S. box office records -- selling out Madison Square Garden five times in...
Categories: Music Industry

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