MISSION STATEMENT - This site is dedicated to professional music photographers. Our mission is to advocate sound business practices, warn against predatory client practices, provide helpful and educational resources, and foster a sense of community. All discussions related to capturing, processing, cataloging and licensing music photographs are welcome.

You are here

KC & The Sunshine Band @ Chumash, January 24, 2008

I keep chortling about Byron Zammit's characterization of my subjects being "Lounge Lizards!" and the implication that only dark metal bands shot in poor lighting conditions have photographic integrity and artistic value. I chortle because I am well familiar with that perspective ... and can't really defend against it. Most of the performers who come to the casino made their mark twenty or thirty years ago or more, back in the days of vinyl records and no internet. Most have platinum albums. Most haven't relied on YouTube or even videos. Most no longer rely on youthful angst to stir the emotions, don't have many tattoos, and have families and children to care for.

But, I will admit that I was somewhat surprised to how "KC" Casey looks these days. He, too, expresses a great deal of surprise about it. He looks like an aging corporate executive/manager with a beer belly and a receding hairline. But here's their act anyway.

#1 The obligatory collage:

#2 The full stage with KC at the lead:

#3 Another full stage from way in the back:

#4 KC himself ... not well framed as Rene has pointed out elsewhere, but I was not expecting the gesture and with the 300mm f/2.8 there is not a lot flexibility.

#5 & #6 My two favorites of the night:

#7 The logo

#8 And finally a wide shot showing the video screens and the light/sound board area:

There are more in my gallery at http://dwightmccann.com/ChumashCasinoResort/KCandTheSunshineBand01242008.html for your listening pleasure.

Already commented on these on POTN, but I have to say I like the stage overviews better from a bit to the side, rather then straight on. If only for the (guy sitting in the middle of) the aisle. (Not sure which of the two)
Is there a shortage of seats, or are they security?

The first five rows are generally allowed more flexibility than everyone else. The guy sitting in the middle of each aisle at row 5 is crowd control.

Dwight McCann