Blown or Dominant Channel

What's your technique (or advice/conjecture) when there is one dominant very strong channel - say blue - which blows the histogram to smithereens, with very little (or nominal) amount of the other other two channels (red & green)? Have had a couple of gigs lately which presented this conundrum at times and I'm still not sure of the best approach for optimum results.

I've had similar experiences before (red channel - but in different circumstances) but I'm wondering if it's better to reduce expose to bring down that dominant channel (lose detail in the others), or to stick with evaluative exposure "-ish" (I normally work fully manual with evaluative metering as a guide) meaning that that channel is 'unrescuably' blown but there is some detail in the others.

I've found that such a blown channel (any colour) results in what appears to be very poor focus/sharpness, even if focus is spot on (probably from the complete lack of detail); also ridiculously fast exposures are needed to bring it into check. Aaargh!

The problem being when there is far far far too much of one channel.

I've been having this

I've been having this problem recently too, wince switching from flash to non-flash. I wish I had some advice to give. All I can say is I'm trying manual everything next time!

Shoot manual without flash

I normally shoot fully manual and without flash if I can get above my minimum operating conditions (f1.8 or f2.8, 1/40, ISO 1600 [3200 is still too noisy on a Canon 40D]), and if there is sufficient contrast to create some interest in a scene. Otherwise, if flash is not allowed or won't work (and I'm on a job) then I don't shoot and explain why.

Sometimes though, there are lighting engineers out there who are clueless or just don't give a damn and what results for us is far too much of one source and too little of anything else, which has its problems that I'm trying to figure out..

Red is my bane...

and the one color I see Lighting Directors using most of. When it gets really bad and seems like it's beyond rescue, the only option sometimes seems to be convert to black and white.

Daniel Knighton
Pixel Perfect Images
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Carlsbad, CA
www.PixelPerfectImages.net
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I had to do that on the last

I had to do that on the last show I shot, only it was blue. I love blue, too, but it just wasn't working.